16 June 2017

Hat Trick

24" x 36", oil on canvas, 2017, (after Johns)

Peter and Alice of Blizzmax Gallery had asked if I would like to participate in their One 5 Oh Canada show celebrating Canada's 150th birthday this summer and, always happy to be part of a Blizzmax show, I said yes, not knowing right away what I could/would/should submit for inclusion. With an eye towards positivity and celebration (rather than grim political commentary) I settled on aping a couple of Jasper Johns paintings of American flags and giving them a Canadian twist.

This one is a riff on his Three Flags (1958) which I did in oil (rather than his encaustic on canvas) and is much smaller than his work. Because I used a different medium, I had to create an illusion of depth as well as rely on many layers of gesso and paint for actual texture. My flag paintings are less complex as a result, but no less fun and whimsical.

My other painting is a Canadian version of his White Flag (1955) which I titled Snowblind.

Creating the illusion of stacking.

Over a few layers of gesso (for added texture) I did as precise a tracing as possible of the maple leaf in our flag because accuracy was important here. The design of the leaf in the Canadian flag is almost impossible to draw freehand and almost no one can get it right.  The proportions of the other elements vary in my flag paintings, but the leaf HAD to be correct.

Then after I covered the surface with orange acrylic for my ground colour (as usual), I reinforced the shadows of the two top flags with black acrylic to give the illusion of stacked forms (Johns made three flags and stacked them while mine is decidedly flat).

Almost there...

As with my white flag, I applied some dark acrylics for depth and to assist in illusion of shadows, then went straight to oil colours getting to this point, which is pretty close to what I want –another few hours of touching-up (some reddening of the reds, some darkening of the shadows, and some brightening of the whites) once this stage is dry and I'm happy and the paintings is ready for the show.




13 June 2017

Snowblind

24" x 36", oil on canvas, 2017, (after Johns)

Peter and Alice of Blizzmax Gallery had asked if I would like to participate in their One 5 Oh Canada show celebrating Canada's 150th birthday this summer and, always happy to be part of a Blizzmax show, I said yes, not knowing right away what I could/would/should submit for inclusion. With an eye towards positivity and celebration (rather than grim political commentary) I settled on aping a couple of Jasper Johns paintings of American flags and giving them a Canadian twist.

This one is a riff on his White Flag (1955) which I did with just oils on canvas (rather than his encaustic, oil, and charcoal on canvas) and is much smaller than his flag. Because I used one medium instead of three, I had to create an illusion of depth as well as rely on many layers of gesso and paint for actual texture. My flag paintings are less complex as a result, but no less fun and whimsical.

My other painting is a Canadian version of his Three Flags (1958) which I titled Hat Trick.

Nice and sharp.

Over a few layers of gesso (for added texture) I did as precise a tracing as possible of the maple leaf in our flag because accuracy was important here. The design of the leaf in the Canadian flag is almost impossible to draw freehand and almost no one can get it right.  The proportions of the other elements vary in my flag paintings, but the leaf HAD to be correct.

Then after I covered the surface with orange acrylic for my ground colour (as usual), I reinforced the perimeter of the leaf with black acrylic.

Okay, Blue Jays!
(or whatever)

I wanted the white to sit atop a range of dark colours so as not to be pure, flat white, so I started with some cyan (in acrylic so it would dry faster –speed at this stage was important because the show was coming up soon and I wanted to give myself lots of time for the pure white oil portion).

More underneathness.

Still using acrylics I added some brown and green to vary the colours and then emboldened the outside border with more black.

Almost there...

This is the first round of white oils and the colours underneath are showing through nicely, but another session of pure white (once this stage was dry) would be needed for stronger coverage and the look I was after (not a copy of Johns, but capturing the essence of his paintings in my own idiosyncratic way).


28 May 2017

TARDIS (Study Model) 1/12 scale


I've wanted a TARDIS since I first started watching Doctor Who in the late '70s during Tom Baker's run which I watched on TVOntario on Saturday nights (with a repeat on the following Thursday which I also tried to catch). My mother didn't try to prevent me from watching the show but she didn't really like it –not because of the scary monsters, but because she was worried The Doctor would trip over his long scarf! This caused her much anxiety and me much amusement.

Anyway, Doctor Who merchandise was pretty scant in Canada, so getting some kind of toy or model TARDIS (or sonic screwdriver or overly long scarf) was beyond me for most of my life...but the show was enough and I enjoyed much of it.

A night's work.

I'd used cereal boxes for my study models of the Bata HQ in Toronto and an a-frame restaurant prior to this project, but, in researching architectural modeling materials, I was introduced to chip board, a sturdy cardboard-like material (similar to mat board, which is typically used when framing pictures). This stuff is great to work with and is cut easily with a utility knife (just make sure the blade's sharp...and use many light cuts (along a metal ruler) instead of a few heavy cuts). Regular white glue would suffice, but I used wood glue for a stronger bond.

Familiar...but sloppy.

After literally hours of searching online, I finally found some plans for a police box and divided the measurements by 12 to scale it down to a manageable size (but it might be fun to try to build a full-sized one!). Some of my measurements were off (the roof angle needs to be shallower, the four sign boxes need to be slightly taller, and the wall/door insets need to be slimmer and more rectangular). I was translating imperial to metric, fractions to decimals, estimating much of it, just to figure it out and get a handle on building these forms...but that's what study models are for. Now that I know which measurements to correct (I'll take a trip to Logopolis for some block transfer computations just to be sure), I can build a better-looking one next time in balsa wood. Eventually...

Ghostly, but better.

One side of the chip board was white, but the back and the edges are a tan cardboard colour, so I decided to use some white gesso to cover this up and unify the overall look. A pleasant surprise was that the gesso served as a gap-filler so it helped with just more than the colour.

The lamp cover was made from card stock-like paper from a flyer and the lamp itself is a few pieces of clear plastic from a package. I used a black Sharpie to line the windows and mark up the front panel details. The St. John Ambulance badge is simply blue pen.

Painted and Shopped.

I really like the look of a white TARDIS, especially after the gesso tidied everything up, making it look like a proper architectural model, but I was eager to see this in its proper blue, so I got out some acrylics and got to work. I started with a dark coat of navy blue and then two coats of cyan, allowing some of the dark to show through in the corners and shadowy areas here and there, adding a nice texture.

I was also eager to see what it looked like with windows and signage in place, so I Photoshopped those elements onto the model, planning to add printed details later.

Lamp parts.

Using leftover parts from the food truck model kit (which I transformed into the Small Pond Arts Puppet Wagon) and the Romulan Bird of Prey, I'll be adding a working lamp to this study model (and probably transferring it to the new balsa wood version whenever that gets built). Pictured above is one of the LEDs which is part of the lighting system I'm installing in the Romulan ship, but my TARDIS light will be the same, only flashing.

Printed details.

After getting colour prints of the window and signage details I carefully cut them out...but then realized I didn't have any glue handy where I was...so I rummaged and found some Gorilla Glue. Good stuff, but not for paper (note the discolouration) and it doesn't dry clear. I was impatient and should have waited until I could get my hand on some white glue. I can still fix this with a minor paint touch-ups and applying my spare cut-outs. The "Police Box"graphics need to be longer and the boxes themselves need to be a smidgen taller.

Spare details added.

Above is the TARDIS with four new window cutouts, as well as a new phone box label and St. John Ambulance badge...it looks good out in the sunshine at Small Pond Arts, checking out the new silo banner.

All in all, this was a very fun and quick project in where I learned a lot about building with chip board, which I think is a great material, especially for my future study models.